MC 5
Standard Def project. Trying to make a same as source quicktime to archive the project.
Seems like it is going to make a complete movie, but when it gets to the end I get the exception: plglue impolite port number message.
I have tried the obvious restart composer and restart the computer. I have never run into this before.
Any thoughts would be appreciated.
Tim
I'm testing workflow with ProRes4444 media and I'm finding that when i consolidate the linked media and create a sequence the AAF file with copied media does not go into Resolve successfully. When importing into Resolve it cannot see the clips in the AvidMediaFiles folder.
When I go through the same routine with the same clips but transcode to DNxHRHQ it works finding the clips and the sequence is produced in Resolve.
Anyone know why this works with transcoded Avid media but not consolidated ProRes4444 media?
Thanks
Having difficulty with one system (not one in my profile - it's at a workplace). On this one system, the linking flow isn't working right. Normal QuickTime MOV files (ProRes) show as "Can't be linked" in the Source Browser. I can't Opt+drag or manually select the QuickTime plugin to get it to work.
For other formats, such as AVCHD, when I switch to view folders as Media Volumes, I still have to drill down to the individual MTS files, and even then, can't link them.
On other systems, this works fine.
It's MC 8.8.4 - I've tried uninstall/install, and creating a new user. This system is macOS 10.9.5, so I understand that might be a factor - would rather try any other troubleshooting steps anyone can think of before upgrading the whole OS.
Below is a step by step instruction to accomplish a task in Avid’s Media Composer.
It is NOT a scientific explanation, it might not make sense to advanced users, but at least will allow those in need of help to accomplish the specified task.
The good thing about Media Composer is that you can reach the same results in different ways.
The bad thing about Media Comopser is that you can reach the same results in different ways.
This is just ONE way which has worked for me.
Hope it helps you!
Bert
SUBTITLES
HOW TO DO IT
AFTER the complete video production has been edited and saved, make the translation to prepare
the subtitles text by using “Notepad” because we need an unformatted “.txt” file. You could
dictate the translation to a portable digital audio recorder, then type it.
NOTE: “Notepad” is available in The Monster, on the Taskbar at the bottom of the monitor.
You can do all the typing and save the document on your Desktop there.
Type the subtitles and format them (break them down) as needed while typing them. Hit return to
go to a new line, to a new paragraph, create a complete new subtitle for each sentence on the
soundtrack, etc.
Save the work. (I did it to the Desktop of The Monster.)
Print those subtitles
Go to the editor and playback the video. Stop where I want a specific subtitle to start, read the
TimeCode above the timeline. If needed, expand the view of the Timeline so you can see as many
time code numbers as possible, so the start and end of each subtitle would be very precise. Stop
the playback and write down the timecode for the end of the given subtitle.
Above each new line of the printed subtitles, enter the beginning and end time code.
The following format MUST be followed exactly when entering the beginning and end time
codes:
@ This file written with the Avid Caption plugin, version 1
<begin subtitles>
01:00:05:00 01:00:10:00
the red LED counter on the inside voting machine shows how many cards have been
01:00:10:00 01:00:16:00
inserted and are stored in the bins of the Machine the bins can fit up to 1,000
01:04:28:00 01:04:29:00
ballots thank you
01:04:29:00 01:04:33:00
if you repeat the transfer call the election center and start over
<end subtitles>
Make sure you have the @ line at the top, hit two returns line between <begin subtitles> and first
block, then 3 returns between each block of text, and 2 returns between last block and <end
subtitles>. Timecode should also match sequence timecode.
NOTE that the beginning and last time code of each subtitles is written with only one space
between them.
Go back to the Notepad where the original file was saved, open it and now enter the beginning
and end timecode for each subtitle.
Check for misspelled words. They would look awful on the video.
Launch Avid and open the specific project.
Duplicate the sequence and name it SUBTITLES, and click on it so it is the one on the monitor!
(Check for the correct name being displayed on the upper right hand side of the monitor.)
Add a new video track
Go to Effects > Generator.
Drag and drop SubCap onto the newly created video track.
Open the Effects Mode (Effects Editor)
Immediately look at the playback screen, grab the purple dot on the left hand side of the screen
and move it to wherever you want the subtitles to appear on the screen. Place that dot at the
exact position where you want the subtitles to start displaying.
In the window that opened when you click on the Effects Editor, select the color for the text.
(usually yellow)
Directly below the name of the font (Arial) click on the “sophisticated” slider (it does not look
like one, but it is,) it turns blue. Slide to the right and the size of the font increases. Set it at 65
pixels.
Click on the “No Outline,” and select “Basic Outline” leve the color for it, as black.
Click on “Left Align” and select “Center Align.”
Under “Box Appearance, move the slider to 70.
Click on “Fixed Width (Wrap) and select “Each Row as Wide as Needed.”
Go back up in that window and click on “Import Caption Data.” (look down in that window and
make sure the drop down window shows “.txt” Travel to the Desktop and the name of your file
should appear. Click on it and hit Open.
All subtitles will appear on the proper video track at the proper timecode position.
I was wondering does anyone know if it is possible to have footage in your "project master" timeline with your projects correct timecode and etc, but then move some of that footage to a different sequence, but reference the "project master" timeline's timecode. That way when I send them a quicktime to reference it isn't say 30 sec of black and then picture and then 10 min of black (and etc). I trying to figure out how I would send info to a small vfx place, but minimize the amount of space for a quicktime they will be referencing that would match my timecode.
I'm quite sure what I've typed is incredibly long winded and probably won't get across exactly what I hope to do, but here is to hoping someone might have an idea.
Hi folks,
For some reason when I am screening a show my sequence will just stop on it's own.
It hasn't crashed. I can start the sequence immediately after the stop.
But of course this isn't very good for a continuous screening. ;)
Any ideas?
Thanks,
Trevor Ambrose
Hi there,
Does anyone know how to loop video playback in Avid media composer 8.6? Alt+6 isn't working for me as I have mapped my '6' key to be something else.
Thanks in advance
Michael
Hi
for the first time i am in the point to do these parts in avid media
First one question
I habe now my timeline with all low res clips, so i ll need to relink to a better one
Shall i do correction and gradin now of after i have relinked to proper size?
better to use 2 different layer, one for correction one for gradin right?
thanks a lot
Mainly because I do more additional work in AE and Cinema 4D, I'd like to replace my 1 GB Nvidia Quadro 2000D with a 6 GB Nvidia GeForce GTX 1060 card.
* Will this work fine with the 8+ versions of MC?
* Any ideas/experiences with the newer GeForce GTX cards and the newer Avid versions?
Thanks in advance!
HP Z420 / 32GB, 250 GB SSD (OS) / AJA io Express / Windows 10 Pro 64bit
Hi guys,
Does anyone have had this issue:
Installed WIndows 10 pro on an Avid qualified HP Elitebook. SSD, actual Bios, roughly the bios recommendations for workstations set (there are no speical settings for this book by Avid).
Installed Avid 8.8.2, Nvidia from the the installer pack (tried both: upgrade and clean install, did all Avid recommended Settings for Nvidia) rebooted, checked AppManager, everything looks good. Boot up MediaComposer, asking for test or dongle activation (tried both), starts its scans and boot procedure. When MC first opens its main Window (full screen) comes up for a short moment (1 second or so), then the app closes and brings the windows crash report /unexepected closed screen.
Installed then also all Windows updates, same result.
Tried 8.8.3., same result.
Uninstalled Media Composer completly, manually emptied c:/ProgramData/Avid and ProgramFiles/Avid. Rebooted, reinstalled Avid. Same result....
Does anybody have an idea about that? I will contact suport the upcoming days.
thanks
Karl
Editor & Avid system integrator
Hi:
I'm totally stumped by this. I'm running MC 8.4.0 on an iMac (specs below). All of a sudden a couple of days ago, all clips in both player and recorder windows have started playing at superfast speed in my timeline. It's as though my "Play" button has become a "FF" button. The problem persists across all my projects and with media from all different drives. What??
Here's a 2:45 screen recording of the problem and my little experiments to try and isolate what's wrong.
https://youtu.be/jVBXVttiuv8
I've already tried creating a new user profile, trashing/ rebuilding my use profile information, and also trashing/ rebuilding the MC state settings and site settings.
Wonder if anyone can spot what might be going wrong.
Thanks in advance,
Ron
Model Name:iMac
Model Identifier:iMac14,3
Processor Name:Intel Core i7
Processor Speed:3.1 GHz
Number of Processors:1
Total Number of Cores:4
L2 Cache (per Core):256 KB
L3 Cache:8 MB
Memory:16 GB
Boot ROM Version:IM143.0118.B14
Chipset Model:NVIDIA GeForce GT 750M
Type:GPU
Bus:PCIe
PCIe Lane Width:x16
VRAM (Total):1024 MB
Vendor:NVIDIA (0x10de)
Perhaps other Win users have encountered this: I've got a 1TB Lacie Rugged drive with USB 3 and Thunderbolt. The drive has been formatted NTFS and shows up in My Computer as F: when connected by USB.
Because my Zbook 17 Gen3 only has Thunderbolt 3 ports I had to get a Kanex adapter to connect it to the laptop from the Lacie's legacy Thunderbolt connection. The Zbook recognises that a Thunderbolt connection has been made, but the drive itself doesn't show up in Explorer or in Device Manager. Where am I going wrong?
Any ideas? The drive and the Kanex box is quite pricey in my part of the world so obviously I would love to get this working as some high speed media storage for my laptop Avid system.
Using Win 7
Having recently used fluidmotion to fix a clip shredded by camera flash guns I started playing around with the fluidmotion controls and realised there is precious little information on how they should be used. After a few hours I was getting quite competent at modifying the motion vectors but then ran into a problem. The motion vector symbols are red and the object in the video was also red, so the motion vectors were not visible.
Is there a way to change the colour of the motion vector symbols so that they can be seen on red objects? There is an eyedropper next to the vector controls, should that be the clue, I'm not using?
I have, until now used the method of masking fluidmotion artifacts with animatte but I think the results obtained by modifying the vectors are slightly superior, so it's really only getting competent with modifying the vectors I'm concerned with.
By the way the fluidmotion did a great job fixing the flash shredded clip. Simply remove the affected frames and use fluidmotion to create new frames from the adjacent frames, 50% speed to create 1 new frame, 33.33% 2 new frames, 25% to create 3 new frames etc. Then simply insert the new frames where the flashed frames had been or place them on the track above. It would also work for dropped frames.
My recent installation of BMD Desktop Video on a working system has disabled my DNxIO hardware. I've followed the procedures, but must have done something to trigger this.
My final goal is to upgrade our ISIS 5500 ENGINE 4.6.1 and all workstations MC 8.5.3.For now, I just need to get this Edit Station working.
Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;}
Pointing Arrows, check‑marks and bullets added to a video
How to create and place arrows, check‑marks and bullets (or any other available font graphic in
Photoshop) in Avid=s Media Composer
Open Photoshop in any computer.
Go to File > New > next to Preset, find ATV Title.@ (*)
A window with a transparent background opens.
Look for the Aribbon@ where the Fonts are listed, click the down arrow and select a font with the
graphic you want to use. I usually need either check marks or arrows.
Let=s say at this time you are looking for an arrow.
When you click on the down arrow next to the font name, all the fonts on your machine will be
displayed. Move down the list until you see one font where graphics are displayed, such as:
ABookshelf Symbol 7" or ADingbats,@ etc. (**)
To the right of where you found the fonts, look for a window with numbers followed by Apt@.This
will select the size of the font. In the window, delete the numbers and enter 100.
Look to the right of that window and find the rectangle with a color. Click on it and select a
color, such as yellow.
On the left hand side of Photoshop, find the ribbon with the different icons and click on the AT@
for Text.
Move the mouse over the window with the transparent background and click at the center of it.
A vertical line will start flashing indicating the size and position of whatever character you type.
As you type a letter, a symbol will appear. You will have to type a letter starting with Aa@ and
then hit the backspace to delete it if that is not the character you want.
I have found that with this font, when I type the letter An@ an arrow will be displayed.
Press AShift@ and the ALeft Arrow@ This will select the image of the arrow.
On the ribbon at the top of Photoshop, on the line where you find File, Edit, etc., click on
ALayer@ and then click on ALayer Style@
Click on Drop Shadow.
A window will open where you can change the settings for the drop shadow (make sure it is
checked on the list of Blending Options, to the left of that window.)
Grab the line inside the circle next to Angle and decide where you want the shadow to appear.
Move the distance slider to show how far the shadow is to be from the actual image, change (or
not) all other parameters to meet your needs.)
Then click on AStroke@ to add a border to the arrow.
Click OK
Understand that you can add more Aeffects@ to the graphic and that you can change each
parameters to widen, narrow, position, etc., with most of those parameter.
Save this graphic as a A.psd@ file so it will have its transparency when you open it in Avid.
If Photoshop is not on the computer where Avid is, save the graphic to a thumb‑drive and then
move the file from the thumb‑drive to your E:\Warehouse>Graphics>Arrows directory.
As I create more of these kind of graphics, I save them in my E:\ Warehouse folder, under
AGraphics@ and in this case in the AARROWS@ subdirectory, so they are available the next time I
might need them. You could make changes and add further malipulations by simply opening the graphic in Photoshop.
For organizational purposes, I create several directories on my D:\ drive for any given project
(i.e., Police Athletic League ‑ PAL,) and give it the name of the project plus what it contains:
PAL‑Music; PAL‑Graphics; PAL‑Titles, etc.
I will copy the arrow graphic from the Warehouse>Grahics>Arrows to the PAL‑Graphics.
If you make the mistake of moving the file, once you delete the project, your arrows will go to
hell in a handbasket and you will never find them again, so COPY, don=t MOVE.
Once Avid is up and running I will Import from those project=s directories into the project I am
working on to its corresponding bin.
Again, for organizational purposes, I open several bins in each project, one for Videos, one for
Music, another one for title, one for Graphics, etc., and import the proper items to their
corresponding bin.
After I have completed all my editing in Avid, I will add a new video track.
Will open the arrow I want to use and once I mark the In and Out points, will send it to that
uppermost video track. Make sure only that uppermost video track is active in the patch panel.
Place the playback head at the very beginning of the clip with the arrow.
In the Effects Palette, click on AKey@
Drag and drop the AMatte Key@ onto the arrow clip.
Open the Effect Editor.
Use the Scaling Parameters: Wid and Hgt to resize the arrow.
Use the Position Parameters: H Pos and V Pos to position the arrow.
Close the editor. The arrow will remain at that position and the square on the screen of the Effect
Editor, disappears.
You can add the usual fade in and fade out to that clip.
______________________________________________________
(*)
If you have not created a TV Title preset, create one by entering the following parameters:
Width: 720 pixels
Height: 500 pixels
Resolution: 200 pixels
Color Mode: RGB Color 8 bit
Background Contents: Transparent
Color Profile: select using the down arrow: xRGB IEC61966‑2.1
Pixels Aspect Ration: (select using the down arrow: Square Pixels.
Then hit Save Preset and give it a name, such as TV Title
(**)
You can find free fonts with graphics all over, download and install the ones that fit your
needs.
Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;}
SUBTITLES
HOW TO DO IT
AFTER the complete video production has been edited and saved, make the translation to prepare
the subtitles text by using ANotepad@ because we need an unformatted A.txt@ file. You could
dictate the translation to a portable digital audio recorder, then type it.
NOTE: ANotepad@ is available in The Monster, on the Taskbar at the bottom of the monitor.
You can do all the typing and save the document on your Desktop there.
Type the subtitles and format them (break them down) as needed while typing them. Hit return to
go to a new line, to a new paragraph, create a complete new subtitle for each sentence on the
soundtrack, etc.
Save the work. (I did it to the Desktop of The Monster.)
Print those subtitles
Go to the editor and playback the video. Stop where I want a specific subtitle to start, read the
TimeCode above the timeline. If needed, expand the view of the Timeline so you can see as many
time code numbers as possible, so the start and end of each subtitle would be very precise. Stop
the playback and write down the timecode for the end of the given subtitle.
Above each new line of the printed subtitles, enter the beginning and end time code.
The following format MUST be followed exactly when entering the beginning and end time
codes:
@ This file written with the Avid Caption plugin, version 1
<begin subtitles>
01:00:05:00 01:00:10:00
the red LED counter on the inside voting machine shows how many cards have been
01:00:10:00 01:00:16:00
inserted and are stored in the bins of the Machine the bins can fit up to 1,000
01:04:28:00 01:04:29:00
ballots thank you
01:04:29:00 01:04:33:00
if you repeat the transfer call the election center and start over
<end subtitles>
Make sure you have the @ line at the top, hit two returns line between <begin subtitles> and first
block, then 3 returns between each block of text, and 2 returns between last block and <end
subtitles>. Timecode should also match sequence timecode.
NOTE that the beginning and last time code of each subtitles is written with only one space
between them.
Go back to the Notepad where the original file was saved, open it and now enter the beginning
and end timecode for each subtitle.
Check for misspelled words. They would look awful on the video.
Launch Avid and open the specific project.
Duplicate the sequence and name it SUBTITLES, and click on it so it is the one on the monitor!
(Check for the correct name being displayed on the upper right hand side of the monitor.)
Add a new video track
Go to Effects > Generator.
Drag and drop SubCap onto the newly created video track.
Open the Effects Mode (Effects Editor)
Immediately look at the playback screen, grab the purple dot on the left hand side of the screen
and move it to wherever you want the subtitles to appear on the screen. Place that dot at the
exact position where you want the subtitles to start displaying.
In the window that opened when you click on the Effects Editor, select the color for the text.
(usually yellow)
Directly below the name of the font (Arial) click on the Asophisticated@ slider (it does not look
like one, but it is,) it turns blue. Slide to the right and the size of the font increases. Set it at 65
pixels.
Click on the ANo Outline,@ and select ABasic Outline@ leve the color for it, as black.
Click on ALeft Align@ and select ACenter Align.@
Under ABox Appearance, move the slider to 70.
Click on AFixed Width (Wrap) and select AEach Row as Wide as Needed.@
Go back up in that window and click on AImport Caption Data.@ (look down in that window and
make sure the drop down window shows A.txt@ Travel to the Desktop and the name of your file
should appear.
Click on it and hit Open.
All subtitles will appear on the proper video track at the proper timecode position.
Hi,
We just installed a NEXIS/Media Composer combination on a Windows 10 box. Prior to that, we were using Media Composer with two Dolce drives. Our old workflow consisted of putting all of our non-Avid-transcoded files on a QNAP server that we accessed on the network. The QNAP file structure was based on projects. So, for instance, project A would get its own folder. Inside that would be separate folders for After Effects renders (from a separate computer), Photoshop graphics, scripts, PowerPoint, Master MOV files exported from Media Composer, and transcoded files exported from our Digital Rapids encoders. There were other folders but you get the idea.
The vendor who sold and installed the NEXIS for us advises that we now should put all those folders on the NEXIS. So, I've created a workspace for MC-transcoded files (files transcoded while ingesting into MC from camera cards) and one workspace for all the project folders as listed above.
Is the all-on-NEXIS paradigm the best workflow? I'm wondering how you all are handling your workflow and what folder structures you have incorporated. Do you put everything on the NEXIS or do you separate file types on separate attached or network servers/hard drives? What challenges have you run into and how have you fixed those challenges in terms of workflow and system/rendering speed and, more importantly, editor/editing efficiency?
Also, we installed an LTO backup system that is attached to the NEXIS via a 10G switch (all our Avid hardware is using that switch as well). I want to make the backup and archiving to LTO as simple as possible. Aside from possible speed efficiencies that come with keeping all files on the NEXIS, I'm not sure there are any file management efficiencies that also come with that paradigm.
I'm very interested in hearing your comments. Please let me know if you need further information about our gear to inform your response.
Thank you very much.
Regards,
Andy Aronson
In our current facility we have (2) 64tb isis chasis, 1 configured as system director and the other just an expansion. These are both connected via 10gb to a cisco 4948e over 10gb. My question is, if we have another spare 64tb isis 5500 and want to add it to expand our global storage, can this be done? Specifically can this be done over 1gb connections as we are out of 10gb on the switch. If we can connect over 1gb, how many ports do i need to use to get enough bandwidth and to make it worth while? I thoguth i read somehwer that you would connect 4-1gb ports to the switch from the expansion chasis, is that correct? Also what configuration do i need to do on the system director to add it to the pool?
Any help on this is greatly appreciated.
When we render audio EQ in 8.8.3 it seems to not honor volume set for those clips. They still say whatever level they've been adjusted to, but when it plays it is at 100%. Anyone seeing this? Anyoen know if it's fixed in 8.8.4?
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