Hey all. I'm prepping for a show and I'd like to get some advice on workflow.
The show will be shooting in a variety of formats, frame rates, and rasters sizes. To manage this, all media will first be transcoded in DaVinci Resolve to UHD ProRes at 23.98fps.
We want to then create low-rez edit proxies in resolve from the new masters. The format would be 1/16th rez ProRes Proxy (or maybe DNxHR LB).
What workflow would you use when importing the low-rez proxies into an Avid project to ensure that the low-rez media relinks to the high-rez media when we conform?
Traditionally, in the unscripted workflow, we would AMA, unlink media, change the tape names to something unique, relink the media, and transcode in Avid to low-rez edit proxy. This obviously worked because Avid is creating a direct relationship between the AMA-linked media and the avid-generated edit proxy.
But if both the high-rez media and the low-rez media are both created outside of Avid, you will have to use other methods.
FYI, I did do a test relinking a low-rez timeline to the high-rez media on another workspace. It worked, but it was sort of ineligant. In the relink dialogue, under "Relink by" I chose "Timecode" and "Name." The timeline relinked perfectly, but none of the media in the project relinked. In fact, when I tried to relink the clips in the bins in the project to the high-rez media, the relink options were greyed out.
Should I also have an idential high-rez project that has all the bins of high-rez media in it? And that is where I should do the relinking of the low-rez timeline?
Anyway, lots of questions here. I appreciate your feed back!
Thank you so much!